What blackwork asks of a design.
Blackwork works in two values: skin and ink. There is no colour to separate one shape from another, so the composition carries everything. Where the black sits, where the skin is left open, and how the two meet decides whether a piece reads at arm's length or closes into a smudge.
That is a drawing problem before it is a tattooing problem. Lex came to tattooing from painting, and blackwork is where that shows most: contrast, negative space and weight distribution are planned on paper first.





